NewTek
- TriCaster PRO™
- SpeedEDIT™
- LiveSet™ Pack Volume 1
- Graphics Pack Volume 1: Sports
Vitec
- 3 Sachtler Tripod Systems FSB 4/2 MD
- 3 Canon Carrying Cases - PWB-HDV
- 1 Custom Petrol TriCaster Bag PCAB-2R
Canon
- 3 Canon XH A1 Camcorders
- 3 Canon BP-970G Batteries
TriCaster PRO™ provides a complete portable studio
and offers the flexibility to mix component, composite and S-Video
camera sources. Produce your show with network-style virtual sets,
balanced audio, an integrated character generator, broad file format
support, increased storage and much more.
Schools, sports teams, broadcasters, worship facilities, government
agencies and many others have come to rely on the award-winning
TriCaster PRO for portable live production and live streaming.
TriCaster PRO™ is easy to set up, portable and lets you capitalize on the following benefits:
- LiveSet™ technology that makes it possible to give a very small space the appearance of large network-style studio
- Double-box effects give you options such as showing both in-studio talent and a remote reporter sharing the screen live
- Gain
access to over 10 hours of video storage for video playback during live
presentations and for archiving live presentations
- Full
support for both 4:3 and 16:9 broadcasting provides the option of
delivering your program in the traditional TV format or film aspect
ratio
- LiveMatte™ technology makes it easy to create clean keys for your talent to be displayed in the live virtual sets
- NewTek iVGA™, makes it possible to add any PC or Mac on the network with TriCaster as a live input
- Live overlays support text, picture and animated titles with alpha channel to provide depth and dimension to your graphics
- VGA output to projector, with image enhancement controls provide the best quality image to an in-house audience
- Edit
Media is now optimized with the SpeedEDIT™ engine providing the ability
to edit HD footage, along with render support for Mac, iPod, MPEG-4,
Flash and more
- Tailor your production using any of the 200-plus different effects to transition from one camera or source to another
- File
format support has been extended for live and post production to
include MPEG and QuickTime for greater versatility in program delivery
- Character generator provides the ability for you to create your own custom titles, motion graphics, scrolls and crawls
- Optional
LiveText™ character generator allows remote control over show titles
For complete versatility and reliability connect Y/C sources using
either 4-pin or dual BNC connectors
- For complete versatility and reliability connect Y/C sources using either 4-pin or dual BNC connectors
TriCaster PRO Specifications:
| Dimensions |
11.5” D x 8 H x 7.5” W |
Weight |
10 lbs |
| Video Input |
3 Y/C
3 Composite (BNC)
3 Component (BNC) |
Recording Capacity |
10 hours MPEG-2 |
| Video Output |
1 Y/C
1 Composite (BNC)
1 Component (BNC) |
Audio Input |
2 Balanced Mic/Line Inputs (XLR or Phone)
1 Stereo Line In (RCA) |
| iVGA™ Network Import |
Yes – 3 inputs |
Audio Output |
2 Balanced Line Out (Phone)
1 Stereo Headphone Out |
| Virtual Set Support |
Yes; virtual sets included |
iVGA™ Input |
1 Ethernet Network Connection |
| On-screen ISO Preview Monitors |
Yes |
Integrated Character Generator |
Yes |
| Projector Output |
Yes; 4:3 and 16:9 aspects |
16:9 Video Support |
Yes |
Camera
Auto-Calibration |
Yes |
Projector Resolutions |
XGA, SXGA, QSXGA and higher; DVI and analog outputs |
| 16:9 streaming |
Yes |
Live Web Casting |
Yes; push or pull Windows Media with VC-1 and Flash streaming support |
| DDR Playback |
1 DDR, 1 still store |
Recorder |
Simultaneous MPEG-2 + WMV records |
| Line Inputs |
2 XLR/phone1 1 RCA stereo pair |
Mic Inputs |
2 balanced (XLR or phone) |
| Preview Out |
No |
Line Outputs |
2 balanced phone |
| Waveform Monitor |
Yes |
Vectorscope |
Yes |
| Nonlinear Editor |
Yes |
Phantom Power |
Yes |
| File Formats |
AVI, DV, MPEG-2, QuickTime, HDV, JPG, PNG, and more ... |
Upstream Effects |
Yes |
| Accessory Options |
LiveControl™ LC-11, TimeWarp™, LiveText™, DataLink™ |
Render Outputs |
AVI, DV, MPEG-2, DVD, QuickTime, MP4 (iPod and PSP) |
|
|
Video Ingest |
1, 4-pin IEEE FireWire®
1, 6-pin IEEE FireWire® |
Canon XH A1
For the professionals who require a smaller, lighter weight HD
camcorder but who won’t give up capability and performance, Canon
offers the XH A1. Our latest in a family of high quality HDV
camcorders, the XH A1 delivers advanced features and a wide range of
image parameter controls to make your vision a reality- and at a very
attractive price. Starting with the superb Canon Genuine Canon 20x HD
lens with Professional L Series Fluorite, the XH A1 adds 3CCDs, each of
which is at 1440 x 1080 pixels. It also means you can be sure that your
shooting in the field will be the best it can be with Canon’s
SuperRange Optical Image Stabilization. It corrects for a wide range of
camera movement and vibration, and combined with Instant AF (Auto
Focus) you’ll get ultra-quick, accurate focus. The DIGIC DV II HD image
processor finishes the picture with improved color reproduction and
noise reduction - for a final result that delivers excellent image
quality.
To further ensure that your vision is realized, the XH A1 gives you
features that let you make manual adjustments to fine-tune your video-
the ultimate in total image control. For those situations in which you
need to let your camcorder take care of exposure and image controls,
the automatic settings on the XH A1 will expertly assist you.
You’ll find flexibility, versatility and capability in the extensive
array of features and optional accessories of the XH A1. It is bound to
meet and exceed your highest expectations.
Genuine Canon 20x HD Video Lens III with Professional L-Series Fluorite
The XH A1 comes with a Genuine Canon 20x HD lens that shows why the name Canon is synonymous with optical excellence.
Canon reserves the L-Series designation for its highest quality
photographic lenses. The Professional L Series Fluorite lens of the XH
A1 ensures outstanding resolution, contrast and color reproduction, and
delivers clarity and image quality you won't see with conventional
optical glass lenses. And, because it's an ultra-low dispersion (UD)
lens, chromatic aberration is reduced for brilliant results.
The XH A1 design gives you equally impressive operational
performance. The design lets you operate the zoom using the lens barrel
ring, the control on the camera's grip, or the control on the camera's
handle. When using the zoom ring on the lens, you can control the speed
of your zoom by varying the angle of the ring, or by varying the speed
at which you rotate the ring. When using the grip control, you can zoom
at 16 different speeds; or you can use the control to operate at a
single zoom speed which you preset. When using the handle zoom control,
you can operate the zoom at a single speed which you preset. You can
also select high-speed zoom to increase the zoom speed when using
either the grip or handle control. And, because the lens is designed
with a zoom ring, you can operate zoom, focus and aperture using a
single hand.
This f1.6 - 3.5, 4.5 - 90mm lens gives you a wide view that - at its
widest - is equivalent to a 32.5mm focal length lens on a 35mm camera.
It also comes with two built-in ND filters, and can be enhanced with an
optional wide converter to meet all your needs.
SuperRange Optical Image Stabilizer
The XH A1 also comes with Canon's innovative SuperRange Optical
Image Stabilizer (OIS), which combines gyro- and image-sensors to give
image stabilization through a wider range of camera motions. Some image
stabilization systems correct one type of camera motion or vibration
better than another. But Canon's SuperRange OIS corrects for a wide
range of camcorder motion: the fast vibration you'd experience while
recording from a moving car; the medium-speed motion of hand-held
recording; and the slower motion of body sway. No matter what you're
recording and how you're recording it, the XH A1's stabilization design
corrects camcorder shake instantly. In addition, optical stabilization
keeps your shot steady without a loss in image quality - something that
can't be said for electronic image stabilization.
Canon XH A1 Specifications:
| Power Supply (rated) |
7.4V DC (battery pack) |
| Video Recording system |
HDV: HDV1080i; DV: DV specifications
Two rotating heads, helical scan azimuth recording, (Consumer VCR SD specifications) |
| Audio Recording system |
HDV: 2-channel recording MPEG1 Audio Layer II: (Sampling frequency 48 kHz, bit rate 384 kbps)
DV: 2-channel recording PCM digital recording: 16 bits (48 kHz), 12 bits (32 kHz, 12 bits selectable) |
| Image Sensor |
(3) 1/3-inch Native 16:9 CCDs (1440x1080) |
| Total Pixels |
Approx. 1.67 Megapixels each x 3 |
| Effective Pixels |
HD approx. 1.56 Megapixels (1440 x 1080)
SD (4:3) approx. 1.17 Megapixels (1080 x 1080)
SD (16:9) approx. 1.56 Megapixels (1440 x 1080) |
| Tape Format |
Video cassettes bearing the MiniDV mark |
| Tape Speed |
HDV/DV: SP mode 18.81mm/second
DV: LP mode 12.56 mm/second |
| Maximum recording time |
HDV/DV: SP mode 80 min. DV:LP; 120 min. |
| Lens |
Canon 20x HD L Series Zoom, f=4.5-90mm, f/1.6-3.5 |
| Focusing System |
TTL-video signal sensing system autofocus. Manual focusing possible. |
| Minimum Focusing Distance |
20mm (wide macro), 1m (entire zoom range) |
| Frame Rate |
60i, 24F, 30F |
| Minimum Illumination |
NTSC: 6 lux (Shutter speed 1/60, Gain 18 dB)
PAL: 5 lux (Shutter speed 1/50, Gain 18 dB)
Manual mode (when Gain 18 dB, f/1.6, 60i/50i are selected)
NTSC: 0.4 lux (Shutter speed 1/4), PAL: 0.3 lux (Shutter speed 1/3) (when 60i/50i is selected) |
| Image Stabilization |
SuperRange Optical (Lens Shift) |
| Filter Diameter |
72mm |
| Viewfinder |
.57-inch widescreen, approx. 269,000 pixels |
| LCD Screen |
2.8-inch widescreen, approx. 207,000 pixels |
| Microphone |
High-performance stereo electric condenser microphone |
| Recording Media |
SD/SDHC (photos), MMC (photos) |
| DV Terminal |
HDV/DV Special 6-pin connector (IEEE1394 compatible); both input/output |
| Video Terminal |
(a) Also serves as RCA pin jack (yellow); both input/output
(b) Also serves as BNC connector; output |
| Output Levels |
-12 dBV (with 47-kohm load, 1 Vrms output level setting and -12 dB full scale) |
| Audio Terminal |
XLR 3-pin jack (2 systems); Switchable between MIC/LINE |
| Microphone Terminal |
3.5mm stereo mini-jack |
| Operating Temperature range |
32 - 104° F (0 - 40° C) |
| Dimensions |
6.4 x 7.6 x 15.5 in. (163 x 192 x 394mm) |
| Weight (not including lens hood and eyecup) |
4.7 lbs. (2135 g) |
| Weight (fully loaded) |
5.3 lbs. (2400 g) |
|